Showing posts with label tutorials. Show all posts
Showing posts with label tutorials. Show all posts

Spiral Rope Stitch Tutorial

The Spiral Rope Stitch or Dutch Stitch is one of the most versatile stitches. It’s looks difficult but actually it’s easy to learn. You can create one into a bracelet, necklace, anklet, earring and a ring with or without embellishment. And because it works up into a strong piece as you weave along, you can even use it as bag strap. (That would require lots of seed beads I guess. Challenging, too!) What’s also great about spiral rope stitch is that it only requires one size of beads, but your choice of color is endless.


To get everyone started, here’s a step-by-step free tutorial for a Spiral Rope Stitch by

Uzume’s Craft blog.



If you want a video tutorial, watch Andrea of Beadaholique at DiyLessons as she quickly and easily demonstrates how to do a Spiral Rope Stitch.



I’ve browsed the net for beautiful spiral rope stitch designs and here are some that caught my eye.



Spiral Rope Bracelet from Beads Amore











They all look beautiful! It excites and inspires me to learn more, and create variations of spiral rope stitches. I hope you’re inspired, too and creativity is starting to play in your mind.


Happy reading at Handmade Jewelry Club and happy learn more at DiyLessons.




This is an elegant bracelet using Swaroskvi pearls and Japanese seed beads.





Download lots of free jewelry making tutorials at DiyLessons! Are you a jewelry (jewellery) making teacher/ tutor? You can also list your tutorials here too.Don't miss a post! Subscribe to Handmade Jewelry Club by Email FREEBookmark and Share







Weekly Summary

Hello Handmade Jewelry Club readers,


Have you missed out some of our posts this week? Here is a compilation of articles for you....


Cheers!
Jane


Let's Knot Our Way Through!

February 14, 2011



"The bracelets are said to be lucky - the person receiving one makes a wish as the bracelet is fastened on his or her wrist. Then the bracelet should be worn without removing until it falls off its own accord when the threads eventually worn out. At that moment, legend has it, the wish will come true.” This is an excerpt from the book, Friendship Bracelets by Veronique Follet. Read more...





February 15, 2011




An Interweave Recommended Tutorial

String vintage-style buttons into a brilliant bracelet with seed beads and crystals.
Read more...








February 16, 2011




Meet Lynn Stevens of TRASH TO TREASURE ART blog, a wife for 30 years who loves art second to her husband and son. She’s also hosted spoon making projects and I can say, she’s an expert in this craft. Read more...







February 17, 2011


An Interweave Recommended Tutorial

A step-by-step technique guide complemented by more than 240 line drawings, that provides every tip and technique necessary for wireworking success. Photographs of finished objects accompany projects. Read more...






February 18, 2011



Who would think we can make jewelry out of Pistachios? Aside from the health benefits that we get from Pistachio nuts, nothing is wasted because we can still use the shells. With only a drilling tool, just the portable one, carefully drill holes on the shells, put a little accent here and there, and viola, a perfect necklace! Read more...






February 19, 2011


An Interweave Recommended Tutorial

Play Around with Peyote Stitch
Master one of the most popular stitches and enhance your jewelry with 12 favorite projects you can have right now! Read more...







DiyLessons Recommended Video Tutorials from Camille Sharon






















Download lots of free jewelry making tutorials at DiyLessons! Are you a jewelry (jewellery) making teacher/ tutor? You can also list your tutorials here too.Don't miss a post! Subscribe to Handmade Jewelry Club by Email FREEBookmark and Share

Tutorial Tuesday...WWII Era Crafts: Hanging Pocket for your Kitchen

In staying true to the WWII theme this week, I am presenting a tutorial on making a hanging pocket. As we all know, the Greatest Generation were experts at recycling and reusing. Well, due to the economy and the war, they had to. But at the same time, they sure had some clever crafts...things to make to both use and store recyclable materials.

This project came from one of my many war-era craft magazines that I can't stop compulsively buying. It is a pocket you hang in your kitchen to keep scraps of paper and string decorated with orange trees and embroidered lettering. The original is to be made from blue and white stripe ticking, but in this day and age, ticking is not a regular item in our sewing stashes. So I had to improvise and use a medium weight canvas material. Feel free to use whatever you want, just be sure that it is firm enough to keep it's shape when full of stuff. If you use regular cotton calico fabric, you may want to use a firm iron-on stabilizer. I apologize in advance for the photos...the sun kept going in and out today and many of the pictures look very drab :(

Materials you will need are as follows:

Some type of canvassy material, or ticking if you have it.
Green cotton calico
Brown cotton calico
1/4" double fold seam binding (1/2" will work) - mine is vintage
Green and black embroidery floss
Embroidery needle
Thread
Needle
Sewing machine


Now, the instructions in the magazine were not spelled out like instructions today. I will copy the instructions which will appear in italics, but will also explain a little more what I did. There was no actual pattern piece, you just kind of wing it as you go.

The pattern described this craft to keep "wrapping papers and strings kept under restraint."
Under restraint?! Like they are going to try to kill you or something :)

The pockets are made in one piece.

a.k.a. there is no pattern for it and you simply sew two pieces of fabric together. I simply drew a square the size I wanted my pocket to be on the canvas with a disappearing ink dressmakers marker:


I then drew some text guide lines using dressmakers chalk and wrote in the words "Look Here For Papers And String" to be embroidered. Then you will embroider them as described.


The lettered inscriptions are outlined with six threads of orange stranded floss...
(I embroidered with a running stitch using orange floss as directed)


and then the letters are shaded on the underside of the horizontal lines and the right of the uprights with quarter-inch running stitches done with six threads of black, picking up as little material as possible between the stitches so that the effect of the line is almost continuous.
(I used 4 strands of black floss using the same running stitch I used for the letters themselves)

Here is my sample all embroidered:

For the pocket, I cut a shape slightly larger than the embroidered piece out of the canvas with a peaked top. Now it's time for the appliqued orange trees.

In developing the fruit-tree motif on the paper and string bag, the trunk is laid first, then the tree top and the tub over the top and bottom respectively, applying the strip of orange bias to each brown tub before turning the edges. The top is made of a single piece of green, upon which small circles of orange are applied for fruit. To allow for turning neatly, the edges of this green patch should be cut about one-eighth inch outside the outline and then slit in to the line of the angle between the peaks.

What?

Here's what I did:

I cut two circles from green calico and two tubs from brown calico. I cheated and cut two of the same shapes from stitchery witchery and fused them to my canvas shape in approximately the same areas as the magazine shows. I then cut two thin strips of orange fabric as well as stitchery witchery to adhere them, and fused them on the tubs. Much quicker, but you can always applique them the old fashioned way if time permits you.


Close up of orange tree:


And then to accentuate the outlines, after the patch is sewed down, each peak is bordered with an open V, or lazy-daisy stitch, of six threads of green stranded floss just outside the patch and the trunk is outlined with the same floss.

What I actually did was to embroider the lazy-daisy stitch around the green of the tree with 4 strands of green floss. I also embroidered a running stitch around the orange on the tub. Using 4 strands of black floss, I embroidered a running stitch around the tub itself as it looked so unfinished just leaving it alone. For the trunk of the tree, I took 4 satin stitches using the same green floss.
For the oranges on the tree, I used small orange buttons. As you would expect!


Closeup of finished orange tree:


The next step is to bind it with the bias tape.

After being decorated the strip is bound along the top, then pleated and stitched along side and bottom edges to the piece which forms the back. After turning and hemming back the top to form the casing, the edges are bound all around with bias-fold and it is rather amusing to use red or orange for the horizontal bindings and black for the sides and bottom.

Well, I didn't have red or orange bias tape. I actually ended up using two different shades of green, both 1/4" bias tape. Yes, both were vintage! Along the top of the back and the top of the strip that forms the pocket, stitch a darker green bias tape. I actually unfolded the tape and sewed half of the tape on the edge. When this was sewn, I refolded and hand slip-stitched the free end of the tape to the back, making sure the original fold was set right.

I then placed the pocket strip on top of the back and trimmed them up to be even. Pin them together. I forgot to take a picture of it, but to create the two pockets in the top, I took the same darker bias tape and pinned it down the center of the pocket strip to sew on my machine.


At this point, I took a lighter green bias tape and sewed it to the sides and bottom of the two pieces together. If you want, you can seam the top pocket to the back before sewing on the bias tape. To finish it off, I sewed two old bone rings to each upper corner for hanging.


And here it is on my fridge!

It was actually fun making this albeit all the embroidery. Don't get me wrong, I love to embroider, but it was a little tough embroidering on the heavier canvas material, even with a small embroidery needle. All in all, taking out all interruptions, this worked up in about three hours. All the while I was embroidering, I couldn't help but wonder how many women made this exact same thing during this era. Were they wondering when the economy was going to get better while they were embroidering? Were they praying for their sons over seas? Were they trying to figure out how to stretch their last bit of ration coupons until they received the next batch? Who knows. The sad thing is that when these are found in estate sales, they probably get tossed in with the other garbage that no one wants...no thought given to the amount of time taken to create it, why it was created and what the creator was mulling over in her head while she was creating it. Think about that the next time you pass that 'junk' table at the next estate sale you attend :(

Well, I hope you try to make one of these over the weekend...it was fun. If you do, post pictures on your blog so I can see what you came up with!

Tutorials Voting Results


The results are in!

I guess there is really no need for much discussion when you look at the most popular choice in the bar graph....Beading! I will start putting together some tutorials over the summer to be featured on Tuesday. Here is your chance to let me know what kind of beading tutorials...bracelets? stringing? beadweaving? Leave a comment below telling me what kind of beading tutorials you want.

Oh, and don't worry...RE suggested that I have some button jewelry tutorials...don't know why I didn't think of putting that on the list...there will be some of that included as well.

Thanks everyone for voting. It's gonna be a fun summer!

Thinking Thursday...Tutorials? Please cast your Vote!

I have been thinking of summer fun and thought, "How about some cool tutorials for the summer months?" Great idea, but what to do?

Now, you can have your say! You tell me what tutorials you want to see using the poll in the left sidebar. If you want to see a tutorial for something that is not on the list, comment below so I can add it to the list. I'm multi-crafty, meaning there really isn't much I can't do (besides knitting!) Go ahead, tell me what's really on your mind!

Tip Tuesday - Photographing Jewelry - Final Part: Photo Editing Software

This is the final installment of my photographing jewelry series. The focus of this installment is on the importance of photo editing software.


Whether you are photographing jewelry or landscapes, your photos are only as good as your photo software. For amazing photos, you will need much more than the free software that either came with your computer or you can get free on the Internet. Free software allows you to do little more than crop, adjust levels a little and cover red eye. Premium software allows you to do much more.

There are several on the market you can purchase for various prices. Adobe PhotoShop is the best, in my opinion, but can be very costly (about $700) and take a lot of time to learn. A less expensive alternative is Corel PaintShop Pro, which is much more affordable (less than $100) and can handle basic photo editing tasks and then some. It does take some time to learn the program, but I'm sure it is not half as long as Adobe. I personally use Corel at the present time, although Adobe is definitely on my wish list! There is many more out on the market and I am not getting paid to plug these brands, I am only using these two as a matter of example.

To show you the key components of a photo editing software you are going to want to look for, I will take you through a basic photo editing session with my copy of Corel PaintShop Pro.

When photographing your piece, it is essential that you take several images of the same "pose" using different f-stops or other manual settings your camera will allow you to do. Some cameras have what they call 'program' which shows on the visible meter as -0.3, -0.7, 0, 0.3, 0.7, 1.0, etc. The following sample shows the different settings I used for the photo we are going to be fixing. Notice how each sample gets darker and darker.

I ended up choosing the first one in the series as, in my opinion, it is easier to work with lighter photos than darker photos. It seems that it is easier to go darker and clarify that it is to brighten up a dark photo.

We will be taking this photo and seeing what we can do to tweak things up a little and I will be listing them is steps as I go along:

1) Crop
The first thing you want to do is to crop the photo. Etsy prefers squared images, so I cropped the photo to 1728 x 1728 pixels. By the way, I always work in pixels, not inches. It might be easier for you to get into the habit of that.

2) Color Balance / White Balance
The next thing you want to do is to even out your color balance. Remember a few postings ago I mentioned something about your Smart White Balance on your camera? Very important to use it if you have it. My camera does have it, but it doesn't work very well, so I have to manually fix that issue in my photo editing software. In the sample below, there is just too much blue in the first original untouched but cropped picture. The sample next to it shows how I added a little bit more warmth to the picture to even out the blues. Notice how the dimensions change after that fix.

3) Levels
The left sample is the corrected color balance sample, but it needs a little more clarification and depth as it just looks too washed out. To correct this, I used my levels setting found in 'brightness/contrast'. Corel allows you to either let the program figure out the right levels or use the sliders to create your own level fix. The sample to the right shows how the program chose the usable levels for me. I could have tweaked the light, medium and dark sliders to fine-tune it more, but for this purpose, I thought the suggested level fix was plenty. The earrings to the right appear to pop out more from the background, whereas the image on the left appears more flat.

4) Sharpness
The final routine function you are going to want to do is to fiddle with the sharpness unmask. This function doesn't really mess with the sharpness of the image as much as it adds luminance to key areas of the photo. It is a real saver if you do not have a specific light to add twinkle to your pieces. I know you really can't tell in the photo below...if they were bigger, you would see a real difference. The image on the left shows the earrings before sharpness unmask was applied, whereas the one on the right shows after. The appear more real and more dimensional...like you want to reach out and grab it from your monitor. Most free software programs do not have this function and I believe it is a very important one.

This is not an exhaustive list as there are other key things you can do, like tweaking the hues of the photo or fixing faded colors, removing things from the photo you don't want there. How many times have you photographed a piece to find that your best photo had a piece of lint that shows up! Premium photo software allows you to remove the piece without altering what is behind the lint.

As you can see, we took the first photo in the series as seen on the left and turned it into the much better photo on the right. Again, this fix was accomplished just using basic functions so you can image that there is so much more you can do to fix your photos.

If you are going to make the investment and have the resources available to you, I recommend you get Adobe. If you are on a tight budget (as am I), Corel will get the job done until you can afford Adobe. Start sticking those pennies away! The most important thing is that you spend time with the manual and really learn what your software can do. There are tons and tons of tutorials online for both Adobe and Corel products, so there is no excuse outside of lack of time, and in that case, schedule little learning sessions for yourself throughout the week. Your premium photo editing software is not going to serve you well if you don't know how to use it!

Thank you so much for your patience with this series and I hope you learned something!

Tip Tuesday: Photographing Jewelry Part 4 - Angles

We are almost done with the series and I hope I have passed on some great info for you.

Today's post will be about composition and angles. First, let me apologize for the poor quality photos...the sun has not been cooperating with me and I just can't bring myself to lug out the photo tent! However, I refuse to complain because my gardens have been absolutely loving the rain!

When you are trying to sell your products online, you are hit with the problem that people cannot touch your pieces. Therefore, you have to make them enticing to the public. One way to achieve that is through interesting angles. Toss away all your ideas that you are not creative enough. If you created the piece, you are definitely creative enough and just have to tap into your creative photography skills.

We have all seen these photos:
Dead straight ahead...


Eagle eye views....

all of which do not make your piece look very interesting. If you shift the angle of photo 1, look what happens:

Pointing the camera dead straight ahead into the piece....

but lift the angle up a little bit so parts of the back of the piece are clearly visible....

Same shot...different angle. See the difference? And, with the right camera setting, you can capture an awesome depth of field. I hope you are really reading your manuals!

Now, take that same shot above and cock the angle to the right a little bit....

Much more interesting, huh? Now, going back to the first shot and comparing with the final one. Which one are you more likely to click on when doing a search. I know, the quality is poor, but if the quality was better, I would definitely be more interested in the second image. The thing is that it is the same shot, but 2 angle shifts.
Clean up the composition in the background and it would make a great photo!

Here is another demonstration with another shot. Showing the bracelet long-ways, here is a dead on shot.

Shift the angle to the right a little bit and look at the difference.

One more demonstration. This one pulls you in closer to show details in the piece (if they would have showed in this photo, I would have it made). But either way, taking a slice of an item is definitely more artistic than showing it all. You have heard the old saying, "Leave something for the imagination". Apply that principle here and use it for your "I got you to click" picture. It will serve you as the photo that pulls them in.

This angle is dead on but lifted up in the back a little bit, like first demonstration 2. Interesting angle, a little bit going on in the background, but not so much as to distract.

Now, cock the camera to the left this time and it looks so much more interesting than the one above.

So, I think my key concept here is to think creatively. Think angles. Scour Etsy to see what other angles people are using. Practice with your own angles and see what you come up with!

Next week will be the final installment in the series: Photo editing software. A must!